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09/11 9. Modernism and the Early Twentieth Century Free Online FlashCards

Study 09/11 9. Modernism and the Early Twentieth Century with 12 free online flashcards. Review key terms, definitions, and concepts with this interactive flashcard deck.

12 cards
01
Front

What was musical modernism?

Back

Musical modernism was a broad search for new ways to organize pitch, rhythm, timbre, form, and musical meaning, rather than one unified style.

02
Front

What defines musical Impressionism?

Back

Impressionistic music emphasizes atmosphere, suggestion, sensory impression, orchestral color, and ambiguous harmony rather than dramatic development or goal-directed harmonic motion.

03
Front

How do pentatonic and whole-tone scales differ?

Back

A pentatonic scale uses five pitches; a whole-tone scale uses only whole steps and lacks the usual leading-tone pull toward a tonic.

04
Front

How does Debussy depict the sea in La Mer?

Back

In La Mer, Debussy evokes the sea through layered textures, shifting sonorities, unusual scales, and differentiated instrumental colors rather than literal musical imitation.

05
Front

How does Ravel vary Boléro?

Back

Ravel creates variety in Boléro through changing instrumentation, register, dynamics, and orchestral density while retaining the same basic melody and rhythm.

06
Front

How did Bartók transform folk traditions?

Back

Bartók combined folk-derived melodies, modal and pentatonic materials, irregular rhythms, asymmetrical phrases, dissonant counterpoint, and unusual instrumental combinations.

07
Front

Why is Mahler considered a bridge to modernism?

Back

Mahler stands between late Romanticism and modernism: he retains huge orchestras and emotional intensity while introducing fragmentation, irony, extreme contrasts, and weakened tonal stability.

08
Front

What is atonality?

Back

Atonality organizes music without a single traditional major-minor tonal center; it weakens or removes the usual hierarchy of tonic, dominant, and functional relationships.

09
Front

What is Schoenberg’s twelve-tone method?

Back

Schoenberg’s twelve-tone method uses an ordered row containing all twelve pitch classes, which may appear as the original, inversion, retrograde, or retrograde inversion.

10
Front

Who belonged to the Second Viennese School?

Back

Schoenberg, Berg, and Webern are called the Second Viennese School; Berg retained dramatic expressiveness, while Webern favored brief, transparent textures.

11
Front

How did modernists expand the role of timbre?

Back

Modernist composers treated timbre as a structural element by using extreme registers, unusual combinations, extended techniques, percussion, transparent textures, and abrupt contrasts.

12
Front

What rhythmic features define The Rite of Spring?

Back

The Rite of Spring emphasizes repeated ostinatos, shifting accents, irregular groupings, dense dissonant chords, and abrupt textural changes.