Free Online Flashcard Deck

4/9 4. Chords and Chord Construction Free Online FlashCards

Study 4/9 4. Chords and Chord Construction with 12 free online flashcards. Review key terms, definitions, and concepts with this interactive flashcard deck.

12 cards
01
Front

What is a chord?

Back

A chord is a group of three or more different pitch classes sounding together.

02
Front

What is the formula for a major triad?

Back

A major triad contains a root, major third, and perfect fifth: 1–3–5. Example: C–E–G.

03
Front

What is the formula for a diminished triad?

Back

A diminished triad contains a root, minor third, and diminished fifth: 1–♭3–♭5. Example: C–E♭–G♭.

04
Front

Construct an F♯ minor triad.

Back

F♯ minor is F♯–A–C♯: root F♯, minor third A, and perfect fifth C♯.

05
Front

What determines a triad’s inversion?

Back

In root position, the root is the bass note. In first and second inversion, the third or fifth, respectively, is in the bass.

06
Front

What does the slash mean in C/E?

Back

C/E means a C-major triad with E in the bass, so it is in first inversion.

07
Front

What notes make up a seventh chord?

Back

A seventh chord is a four-note chord that can be arranged as three stacked thirds: root, third, fifth, and seventh.

08
Front

How do C7 and Cmaj7 differ?

Back

C7 is C–E–G–B♭, a dominant seventh. Cmaj7 is C–E–G–B, a major seventh.

09
Front

How is C°7 spelled correctly?

Back

C°7 is C–E♭–G♭–B𝄫. The double-flat seventh is required by the fully diminished spelling.

10
Front

How does Roman-numeral case show triad quality?

Back

Uppercase Roman numerals indicate major chords; lowercase numerals indicate minor chords. A lowercase numeral with ° indicates a diminished chord.

11
Front

What are the diatonic triads in C major?

Back

The diatonic triads are I, ii, iii, IV, V, vi, and vii°: major, minor, minor, major, major, minor, and diminished.

12
Front

Analyze B–D–F–G in C major with B in the bass.

Back

B–D–F–G rearranges to G–B–D–F, a G7. In C major, G is scale degree 5 and B is the third in the bass, so the analysis is V⁶₅.