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7/9 7. Introduction to Voice Leading Free Online FlashCards

Study 7/9 7. Introduction to Voice Leading with 12 free online flashcards. Review key terms, definitions, and concepts with this interactive flashcard deck.

12 cards
01
Front

What is voice leading?

Back

Voice leading is the way individual musical lines move from one harmony to the next.

02
Front

What is the normal SATB voice order?

Back

The standard order from highest to lowest is soprano, alto, tenor, bass: S > A > T > B.

03
Front

What spacing is typical in SATB writing?

Back

The soprano–alto and alto–tenor intervals are usually no more than an octave; the tenor and bass may be farther apart.

04
Front

How do voice crossing and voice overlap differ?

Back

Voice crossing occurs when a higher voice moves below a lower voice; voice overlap occurs when a voice moves beyond the previous position of another voice.

05
Front

Which chord member is commonly doubled in a root-position triad?

Back

The root is commonly doubled in a basic root-position triad because it reinforces the chord’s identity.

06
Front

What is a common tone?

Back

A common tone is a pitch shared by two adjacent chords; retaining it in the same voice creates no motion and often produces the smoothest connection.

07
Front

What motion hierarchy generally supports smooth voice leading?

Back

Prefer common tones first, then half or whole steps, then thirds; larger leaps may be necessary but should support a coherent melodic line.

08
Front

How does the leading tone normally resolve?

Back

The leading tone, scale degree 7^\hat{7}, normally resolves upward by semitone to tonic, scale degree 1^\hat{1}. In C major, B normally moves to C.

09
Front

How does a chordal seventh normally resolve?

Back

A chordal seventh normally resolves downward by step. For example, F in G–B–D–F typically moves to E.

10
Front

Why are parallel fifths and octaves avoided?

Back

Parallel fifths and octaves occur when two voices move in the same direction and retain a perfect fifth or octave; they are generally avoided because they weaken voice independence.

11
Front

How do similar, contrary, and oblique motion differ?

Back

Similar motion has both voices moving in the same direction by different intervals; contrary motion has them moving in opposite directions; oblique motion has one moving while the other stays.

12
Front

What is a reliable procedure for connecting two chords?

Back

Write the bass, shape or preserve the soprano, retain common tones, resolve tendency tones, complete the inner voices, then check spacing, parallels, and leaps.