Free Online Flashcard Deck

4 Production Sound Free Online FlashCards

Study 4 Production Sound with 12 free online flashcards. Review key terms, definitions, and concepts with this interactive flashcard deck.

12 cards
01
Front

What is production sound?

Back

Production sound is dialogue and other audio recorded during filming.

02
Front

How should a boom microphone be placed?

Back

Aim the boom mic toward the actor and keep it as close as framing allows, while keeping the mic and its shadow out of the shot.

03
Front

What does a shotgun microphone’s directionality not do?

Back

A shotgun mic favors sound in front of it, but does not make distant speech louder by itself. Moving the mic closer still matters.

04
Front

When is a lavalier useful?

Back

A lavalier can provide consistent dialogue when a boom cannot get close, such as in a wide shot or during movement.

05
Front

What should you check when placing a lavalier?

Back

Place it near the chest and check for fabric rubbing, cable movement, and wind, which can create distracting noise.

06
Front

What does an omnidirectional microphone pick up?

Back

An omnidirectional microphone picks up sound from all around it.

07
Front

When is a camera-mounted microphone suitable?

Back

It can work for reference audio or simple situations when the subject is close, but is often too far from actors for clean film dialogue.

08
Front

What is room tone?

Back

Room tone is the quiet background sound of a location when no one is speaking; it is not digital silence.

09
Front

How should room tone be recorded, and why?

Back

Record about 30 seconds with the setup unchanged and everyone still and quiet. Editors can use it to fill pauses and smooth cuts without abrupt background changes.

10
Front

What are wild tracks?

Back

Wild tracks are separate recordings of useful sounds that may be hard to capture during dialogue takes, such as footsteps or a door closing.

11
Front

Why monitor production sound with closed-back headphones?

Back

Monitor with closed-back headphones while filming to catch problems such as clothing rustle, handling noise, interference, or a noisy location.

12
Front

How should recording levels be set?

Back

Set levels so the loudest expected speech does not overload or clip; listen and check the meters rather than guessing.